101
Feminist Pedagogies with Dr. Mary Caldwell
Musicology faculty Mary Caldwell shares how feminism informs her teaching and mentoring practices. Zoom available. All graduate students are welcome. This event grows out of concerns in the Music department, and so may be most useful to students in related fields. Counts toward the CETLI Teaching Certificate.
101
Every Day is a Good Day: Cultivating Connection in the Music Classroom, Featuring Eugene Lew
Join veteran music instructor Eugene Lew for a conversation about project-based learning, working across disciplines, and building collaborative relationships in and out of the classroom. Eugene will share how he integrates his experience with experimental music into the classroom to facilitate a culture of discovery and exploration. All graduate students are welcome. This event grows out of concerns in the […]
101
Helping Students in Distress, Featuring Penn’s Wellness Team
Are you prepared to help a student in distress? Join us for a workshop led by Wellness team member Mia Tian focused on supporting students in difficult times. In this workshop, we will talk about signs of stress, distress, and crisis. You will also learn some general skills to communicate effectively, create a supportive environment, […]
102
Interactive Strategies for Teaching Musicianship
All graduate students are welcome. This event grows out of concerns in the Music department and so may be most useful to students in related fields. Counts toward the CETLI Teaching Certificate.
102
Incorporating Sound into the Classroom
All graduate students are welcome. This event grows out of concerns in the Music department and so may be most useful to students in related fields. Counts toward the CETLI Teaching Certificate.
3rd Floor Seminar Room
Teaching and Acknowledging Histories of Violence in a University Context
When teaching music survey courses, histories of colonialism and slavery are frequently essential historical frames. How do we teach these topics and other sensitive histories and contexts in such a way that avoids reducing them to context, and instead explores their significance in the formation of music and disciplinary histories? How do we navigate this […]
3rd Floor Seminar Room
Teaching Over Time
How does teaching evolve over the course of your career? With Professor Guy Ramsey, students will discuss university teaching over the longterm, with a focus on both undergrad and graduate instruction. All graduate students are welcome. This event grows out of concerns in the Music Department and so may be most useful to students in […]
3rd Floor Seminar Room
Avoiding the All-White and All-Male Syllabus
his workshop offers an opportunity to discuss what the syllabus is/can be, and will address what representation means in the context of our syllabi, specifically for grad students teaching Western Music History, World Music, or Music Theory.All graduate students are welcome. This event grows out of concerns in the Music department and so may be […]
3rd Floor Seminar Room
Critical and Compassionate: Teaching and Learning About Sound
How do we create a classroom environment that allows students to critically engage with the material they are reading and hearing as part of our classes? How do we design assignments (creative projects, research papers, exams, etc.) that help students to engage with sound/music as critical and compassionate listeners?All graduate students are welcome. This event […]
3rd Floor Seminar Room
Critical and Compassionate: Teaching and Learning About Sound
How do we create a classroom environment that allows students to critically engage with the material they are reading and hearing as part of our classes? How do we design assignments (creative projects, research papers, exams, etc.) that help students to engage with sound/music as critical and compassionate listeners?All graduate students are welcome. This event […]
3rd Floor Seminar Room
Teaching Audio Material: Why and How
What pedagogical work do we want music listening to accomplish in the classroom? This workshop will be open to considerations of how we select listenings for class or for pre-class assignments, and importantly, how we prepare students to engage with audio material. Through this conversation, we will discuss how our teaching guides student listening perspectives, […]
3rd Floor Seminar Room
Naming Our Epistemological Frameworks
In the survey courses that we teach, we are often teaching from disciplinary perspectives that may be unfamiliar to our students. How do we openly and honestly discuss the disciplinary frames of the courses we teach, and the limitations they may bring? How do we make (meaningful) space for other forms of knowing in an […]
3rd Floor Seminar Room
Beyond the Textbook: Who We Are in the Classroom
Through small group discussions, we will approach several questions to consider how we interact with our students and shape our learning environments. This CETLI workshop will feature several returning graduate instructors in Music who will help us discuss these themes. Sample questions include: How do we create assignments, lesson plans, and syllabi that make space […]
3rd Floor Seminar Room
How Do You (Write About How You) Teach? Developing A Philosophy of Teaching Statement As A Graduate Student
All graduate students are welcome. This event grows out of concerns in the Music department and so may be most useful to students in related fields.Counts toward the CETLI Teaching Certificate.
3rd Floor Seminar Room
Grading! Or, How to Make Assignments and Feedback Useful for You and Your Students
All graduate students are welcome. This event grows out of concerns in the Music department and so may be most useful to students in related fields.Counts toward the CETLI Teaching Certificate.
3rd Floor Seminar Room
School of Thought: Teaching As Dynamic Practice
All graduate students are welcome. This event grows out of concerns in the Music department and so may be most useful to students in related fields.Counts toward the CETLI Teaching Certificate.
3rd Floor Seminar Room
Teaching Online Courses
All graduate students are welcome. This event grows out of concerns in the Music department and so may be most useful to students in related fields.Counts toward the CETLI Teaching Certificate.
Room 101
Creating a Syllabus
All graduate students are welcome. This event grows out of concerns in the Music department and so may be most useful to students in related fields. Counts towards the CETLI Teaching Certificate.
Room 210
Teaching Politics
Make no mistake: the classroom is not apolitical. Whether consciously or not and however hard to admit, when we teach we are teaching politics and teaching politically. Current events and the prevailing political climate in the US compel us to confront these issues head on. This workshop will look at how these external events come […]
3rd Floor Seminar Room
How Do You (Write About How You) Teach? Developing A Philosophy of Teaching Statement As A Graduate Student
In this workshop, we will begin by discussing what a philosophy of teaching statement is and is not, both speaking generally and by reading a selection of anonymized statements from a range of disciplines. Since a statement is increasingly required of ABD students and recent graduates on the job market, we will spend time workshopping […]